Slow Power Blues Guitar Lessons – Andy Aledort – Dom. 7th Mixolydian
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One of the great things about soloing over dominant seventh chords—and something that is certainly an essential technique when improvising on a slow blues—is that players are free to exploit the difference in quality between the minor third and the major third. The scale most closely associated with dominant seventh chords is Mixolydian; in G, G Mixolydian is spelled G A B C D E F, with B as the major third. The minor third is one half step lower, Bb; this pitch can also be thought of as the b9 (flatted ninth).
In bar 1 of the solo, I begin on beat one by hammering on from the minor to the major third, and, on beat two, incorporate both the minor and the major third. Be aware of the difference in quality between these intervals and try to take advantage of that difference while crafting your solos.
Duration : 0:5:59
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4 Responses to “Slow Power Blues Guitar Lessons – Andy Aledort – Dom. 7th Mixolydian”
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Brilliant – many …
Brilliant – many thanks for this, this is what I’ve been looking for!
that’ s a light …
that’ s a light touch of delay I rekon mate
excellent…how do …
excellent…how do you get that sustain as such a low volume?
Great lesson!
Great lesson!